Freitag, 21. Januar 2011
The Altars formed in late 2007 after the demise of Storm The Tower with the lineup of Chris Pfeffer on guitar/vocals, Brett Bays on drums, Logan Worrell on bass, and Javi Guerra on guitar. We began playing shows in the spring of 2008 and recorded a demo later that year (eventually to be released as a 12" by Adelante Discos). Javi left the band in early 2009 and was replaced on guitar by Matt Badenhop (of Sacred Shock, Deskonocidos). We began playing more out of town shows and working on new material. In late 2009, both Matt and Logan moved out of state, so we recruited Jasmine Mayberry (ex Signal Lost) on bass and Kyle Edwards (The Young) on second guitar. 2010 saw us working on more new material and finally recording for a new Lp that should be out soon on Sabotage and Adelante. We hope to finally do some touring in 2011 and keep writing new songs!
Dienstag, 4. Januar 2011
Polite Sleeper is a folk punk mess and a story about starting over.
Jason and Tim met in San Francisco in 2002 and formed The Yellow Press, a Ye! Ye!
hardcore/punk quartet that also included Steven Chamberlain on bass. With releases on
X-Mist and Day After worldwide, they toured for over two years, opening for the likes of
Against Me!, Xiu Xiu, The Thermals and The Hold Steady before amicably disbanding in
2005 following one final European tour.
The downtime coupled with one messy break-up saw Jason leaving California for New
York, with Tim following soon thereafter. Together that winter they recorded a handful of
sparse, acoustic songs in Jason’s Clinton Hill loft space, dealing with friends, lovers,
substance abuse, and most notably not having a band anymore.
During that period the duo met Michael Curtes, who added piano to a few unfinished
ideas and the resulting session was quietly released as a five-song EP and 12” in June
2007. The trio immediately pickedup where The Yellow Press left off, touring Europe and
both US coasts in support, and despite few expectations found a surprising balance (and
noted buzz) between their punk pasts and the hushed, introspection of the new material.
Musically, however, Polite Sleeper is about doing more with less.
From three-piece trap kits to playing without a bass, the songs are as divergent as they
are raw. Each a story sounding as if John Darnielle was fronting the Microphones or a
working man’s Xiu Xiu. Keyboards, banjo and pedal steel might round out a few
programmed beats or a piano stomp, otherwise, very little is kept that
can’t be performed live. And what started as a bedroom project between friends finally
coalesced with a proper full length written and recorded throughout Brooklyn in 2007.
More self-assured and playful than previous efforts, the debut balances the whispered
lullabies with the screaming sing-a-longs – from country to folk to punk, it’s an authentic,
earnest document of where three friends ended up after landing on the East Coast with a
But most important Polite Sleeper is still a punk band. They’re 100% DIY, choosing to
record in living rooms and kitchens exclusively. They keep traffic noise and dead notes as
reminders of that. They stay true by playing to anyone who asks, and while the songs
may be short, the sentiments heavy, their riotous live reputation is a spectacle no one
expects from an acoustic trio.
polite sleeper news here